On Wednesday, July 26, we went to the South Shore Cinema for “Anime Movie Night,” which is apparently a monthly event put on by anime channel Crunchyroll (Which I keep thinking of as Crunchy Frog--). We had seen the very brief teaser for The Ancient Magus’ Bride, which looked interesting.
The presentation was not actually a feature film: instead, we saw three episodes of what is going to be a new series on Crunchyroll, beginning in October. It is based on an existing manga of the same name, written and illustrated by Kore Yamazaki.
The protagonist is fifteen year old Chise Hatori (voice by Atsumi Tanezaki); abandoned by her family and homeless, she contemplates suicide, when approached by a man who says, “If you don’t care if you live or die, why not give yourself to someone that wants you?” Chise (who would be of legal age in Japan), signs what is essentially a “slave contract” and is put on auction. She is purchased by Elias Ainsworth (Ryota Takeuchi), an inhuman appearing Mage, who tells her she will be his apprentice, and eventually his bride. This is a bit unsettling, since his head appears to be the skull of a wolf or something similar, with demonic red eyes, and surmounted with antelope horns.
Ainsworth takes her to his home outside London, where he has a picturesque cottage, a fairy housekeeper, and an uneasy relationship with the local Vicar. He explains to Chise that he is a Mage, who uses the power of fairies and other spirits to do magic, unlike Sorcerors, who do magic as a kind of science. He wants her because she is a “sleigh beggy” (sic), who is a kind of “queen bee” for fairies and elementals. She is particularly special because she can see and hear them—the “curse” that has ruined her life so far. (“Sleigh beggy” or “slay vega” comes from the Manx sleih beggey, which means one of the fairy folk. Her title in Japanese 夜の愛し仔（スレイ・ベガ, “Beloved Child of the Night,” is a bit more evocative--.) The spirits are attracted to her and want to do things for her, but lack human judgement, which can cause disaster if they are not controlled.
In typical fantasy magician fashion, Elias is very stingy with information, which of course means there will be adventures ahead.
In the first three episodes, Chise almost gets kidnapped by the fairies, visits a Crafter of magician’s tools, and visits a dragon preserve.
The story was interesting as far as it went, and was good to look at, with decent animation, and backgrounds that rival those of Studio Ghibli (although Georgie and I both find some of the anime/manga conventions a bit peculiar--).
We also got a half-hour segment of another new production. “Children of Ether,” unusual since it written by an American black man, LeSean Thomas, and features a woman of color as the main character. It is set in post-Apocalyptic world, where ominous forces are pursuing Rhonda, the protagonist, because of the mysterious power she possesses—which accidentally killed her beloved father. Rhonda is trying to find “The Goat”, a sage woman, to help her find some answers, while evading pursuit and the other hostile denizens typical to post-Apocalyptic scenarios. Character designs and backgrounds were very well done, but animation was spotty, with concentration on the fight scenes, but very clunky rendition of some basic things, like walking.