On Tuesday evening, June 6th, we went to the Downer Theatre to see a really fine production of Tom Stoppard’s play, Rosencrantz and Guildenstern are Dead, which shows us the existential dilemma of two minor characters in a great play, and what they do, and do not do, between scenes. The play has a lot in common with Samuel Becket’s Waiting for Godot, but we like it better since Rosencrantz and Guildenstern engage in debate about the meaning of it all, whereas Vladimir and Estragon in Godot are just overwhelmed by the meaninglessness.
The play had an excellent cast, lead by Joshua McGuire (mainly known for British TV) as Guildenstern, Daniel Radcliffe as Rosencrantz, and David Haig as The Player. The little pre-show film mentioned that Stoppard himself had been involved in this production, and I do believe the script had been tweaked in comparison with earlier versions I had seen. It seemed to me that scenes with Hamlet, Polonious, Claudius, and Gertrude were cut or shortened, and The Player, who is Stoppard’s voice on stage, had a good bit more to say.
The play was set in a mostly timeless time, and a largely undefined space, which underscored the characters’ being adrift from reality. This didn’t really affect the performance much, but at least did not distract.
McGuire and Radcliffe in particular were very good, and handled Stoppard’s lightning-speed dialogs with alacrity. I was a bit surprised at first that the bigger name Radcliffe did not have the more intellectual role of Guildenstern, but found that he was wonderfully good as the frequently clueless Rosencrantz, being able to do an effective variety of blank, baffled, or just plain stupid expressions.
I’m not sure I would say that this was a definitive performance, but it was very, very good, and I would recommend it to anyone who is interested in this play. (The 1990 film with Gary Oldman, Tim Roth, and Richard Dreyfuss is also very good, in my opinion.)