On June 4th, we went to see Wonder Woman, the latest film in what is now being called the “DC Cinematic Universe,” and the first one we have seen since I declined to see Man of Steel. We were glad to see this one, and enjoyed it quite a bit.
I’m a bit bemused by the decision to set the story of Wonder Woman’s entry into the outside world in the final days of World War I. I liked it, and I can understand why WWI was chosen for purposes of plot, but I wonder if anyone has considered the profound changes this would make in the DC universe timeline. In the “standard model” Superman was the first superhero to come to public notice, either in the 1930’s (per the original comic books) or the 2010’s per the newest movies. However, now, Wonder Woman is first on the scene, by almost a hundred years? I expect that this will be glossed over for the future, but there would have probably been a very different approach to Superman’s advent, had Wonder Woman been around for a long time before that.
The opening sequences of the movie, portraying Diana’s youth and training on the island of Themiscyra are beautiful and wonderful. The island is fantastic, of course, but watching the Amazons train is fascinating, and in particular it’s great to see that not every Amazon has to be young and dewy-looking. Robin Wright as lead warrior Antiope, and Connie Nielsen as Hippolyta, show us that a woman can have some lines in her face, or edgy collarbones, and still be fabulous and powerful.
Gal Gadot, as Diana, is just great. She looks wonderful in the role, and her background in the military and martial arts give her the bearing she needs to truly be a warrior princess. She’s well matched by Chris Pine, who is a smarter and edgier Steve Trevor than ever was in the comics or TV. The other “good guys” include Lucy Davis as Etta Candy. The character was originally part of Wonder Woman’s “comic relief” squad, the “Holiday Girls” in the 40’s comics. Here, she’s become a Brit, doing a WWI version of the “Keep Calm and Carry On” thing as a sort of Miss Moneypenny to Trevor’s Americanized James Bond. It’s a pity that we aren’t likely to see more of her. In order to foil the villains’ plot, Trevor puts together a particularly unlikely version of the classic “rag-bag team,” made up of Said Tagamouhi as a Moroccan actor turned con man, Ewan Bremner as a Scottish sniper with PTSD, and Eugene Brave Rock as a Native American smuggler, all of whom are interesting characters and have things to say about the world of 1918.
The chief villains are Dany Huston as General Erich Ludendorff, and Elena Anaya as Dr. Maru. Ludendorff, who really existed, is an interesting choice. The historical Ludendorff was Quartermaster General of the German Army until October 1918 (and so in position to make decisions about new weapons), when he resigned, a requirement of armistice negotiations. He went on to become a nationalist politician who promoted the theory that Germany was “stabbed in the back by Marxists and Jews,” took part in Hitler’s Beer Hall Putsch of 1923, and wrote a book called The Total War in 1935, arguing that peace was only an interval between wars. Although he did break with Hitler by 1933, I think we can fairly say that his portrayal in the film does not malign him too much, and Huston’s portrayal makes him believably megalomaniacal and dangerous.
Dr. Maru, alias “Dr. Poison”, played by Spanish actress Elena Anaya, is a recycling of a WW2 Wonder Woman villain, who was a Japanese chemist specializing in sabotage. The doctor as portrayed is rather generically European, unsettling with the creepy prosthetic covering her scarred face, and not so much a “mad” scientist as an obsessive one. Her new weapon, the so-called “hydrogen mustard” gas is truly horrific, though not much more so than weapons actually developed. (The arsenic compound Lewisite, not used in WW1, could penetrate clothing and thin rubber--.)
I wasn’t put off by Wonder Woman’s stated goal to destroy the war god Ares as I was by (spoiler in case you haven’t seen it) Superman’s killing of General Zod in Man of Steel. In the movie, Diana considers destroying Ares to be her major mission in life, so its rather a given, and it was established in the comic books years ago that Wonder Woman would in fact kill in defense of life if the need were great enough. (And I’d be pretty sure that not all the German soldiers she clobbered liberating a Belgian village probably survived, either, although, as in many of the comic-book movies, there’s little blood, and most death is off camera--.)
We liked the movie’s approach to combat. Wonder Woman fights with focus and with purpose, but never with malice, and revenge, a frequent “hero” motivation, plays little part.
Of course, I have some technical quibbles: The Fokker Eindekker Trevor steals is way obsolete by 1918 (although that could be the reason it was in Turkey, far from the active front--), whereas the giant bomber in the final sequence, which vaguely resembles one of the late-war Zeppelin-Staaken bombers, is somewhat futuristic. We can tell that Themiscyra must be within a relatively short air flight from the Turkish coast: so far, so good, it makes much more sense for it to be among the Greek islands than off the coast of North America, as in the early Wonder Woman comics. However, in our 1918, there were no Central Powers warships, let alone German, operating in the Mediterranean, to have pursued him there--. Oh, well, it’s not actually our world, after all. However, getting from the Eastern Med to London in the course of a sleep by sail, even with the aid of a tugboat, just isn’t possible--.
Seeing this film makes me much more optimistic about the forthcoming Justice League feature.